Charles Frederick Goldie – Day dreams Christmas time in Maoriland 1902 55.5x41.5cm
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The composition presents a woman seated on a blanket, cradling a young child in her arms. The setting appears to be a lakeside environment, with a backdrop of rolling hills and dense foliage punctuated by vibrant red blossoms – likely pōhutukawa trees, characteristic of the region. A dark, undefined area occupies the lower left corner, creating a visual weight that contrasts with the lighter tones of the landscape.
The woman’s posture conveys a sense of quiet contemplation or perhaps melancholy. Her gaze is directed downwards, avoiding direct engagement with the viewer. The child in her arms seems to mirror this subdued mood; its expression is serious and unsmiling. Their clothing – a vibrant yellow skirt for the woman and a red shawl draped over her shoulders – provides a striking contrast against the muted greens and browns of the natural surroundings. The blanket they sit upon displays a tartan pattern, suggesting an external cultural influence.
The landscape itself contributes significantly to the painting’s overall atmosphere. The waters surface is rendered with subtle reflections, creating depth and tranquility. However, the dense foliage in the background, while visually appealing, also hints at a sense of enclosure or isolation.
Subtleties within the work suggest a complex narrative. The juxtaposition of traditional Māori attire with the tartan blanket implies a blending of cultures, potentially reflecting colonial interactions and assimilation processes. The woman’s downcast gaze and the childs solemn expression could be interpreted as indicators of hardship, displacement, or a quiet resilience in the face of societal change. The deliberate obscurity of the lower left corner might symbolize an unknown future or a suppressed history. Overall, the painting evokes a feeling of introspection and invites consideration of the human experience within a specific cultural context – one marked by both beauty and underlying tension.