Charles Frederick Goldie – Thoughts of a Tohunga Wharekauri Tahuna 1933 49.5x44.3cm
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The most striking element is undoubtedly the elaborate facial tattooing (moko). These markings cover much of his face, forming complex patterns that likely hold significant cultural meaning – perhaps denoting lineage, status, or personal history. The artist has rendered these details with considerable precision, demonstrating an understanding of their intricate nature. A sparse white beard and receding hairline suggest advanced age, further reinforcing the impression of a man carrying a weight of experience.
He wears what appears to be a woven cloak, its texture suggested through visible brushstrokes that create a sense of depth and materiality. A long strand of dark hair falls across his chest, adding another layer of visual interest. A green pendant hangs around his neck; its color contrasts with the earthy tones dominating the rest of the composition.
The background is rendered in muted yellows and browns, providing minimal distraction from the central figure. The artist’s brushwork appears loose and expressive, particularly noticeable in the rendering of the hair and cloak, contributing to a sense of immediacy and capturing the texture of the materials.
Subtly, theres an air of melancholy conveyed through his posture and expression. It is possible that the work aims to capture not just a likeness but also a moment of quiet contemplation or perhaps even a reflection on loss or responsibility. The portrait seems less about celebrating outward appearance and more about conveying inner character – a sense of dignity tempered by age and experience.