Geertgen Tot Sint Jans – 34938
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
Geertgen, Tot Sint Jans (6 картин) и Jans, Geertgen Tot Sint (10 картин) – это один и тот же прекрасный голландский художник 15 века, не канонический в отличие от итальянцев этого же периода. Причина, на мой взгляд, в том, что голландцы – протестанты, а итальянцы – католики.
You cannot comment Why?
To the left, a woman in red garments gestures towards the body with an expression of profound sorrow. Beside her stands another figure draped in dark blue and white, head bowed in apparent mourning. The central figure, clad in crimson robes, appears to be offering solace or perhaps participating in ritualistic observance. A man in a black clerical garment is positioned close by, his face conveying a mixture of contemplation and distress. Further right, a woman in black with a white headdress looks on with a somber expression.
The background establishes a landscape setting, dominated by an elevated terrain that slopes downwards towards the foreground. A large wooden structure, resembling a cross, is visible in the distance, populated by several figures engaged in what appears to be labor or execution. The inclusion of this element suggests a narrative context involving sacrifice and suffering. A dog stands near the base of the cross, adding an element of domesticity and perhaps symbolizing fidelity or grief.
The artist’s use of color is significant. The vibrant red of the central figures robes contrasts sharply with the muted tones of the surrounding figures and landscape, drawing attention to their role in the scene. The overall palette conveys a sense of melancholy and solemnity, reinforcing the emotional weight of the depicted event.
Subtleties within the painting suggest deeper layers of meaning. The careful arrangement of the figures creates a dynamic interplay of emotions, inviting viewers to contemplate themes of loss, faith, and compassion. The landscape’s recession into the distance provides a sense of scale and emphasizes the isolation of the central figure and those who mourn them. The inclusion of everyday elements like the dog subtly humanizes the scene, grounding it in a recognizable reality while simultaneously elevating its spiritual significance.