self-portrait 1912 Aristarkh Lentulov (1882-1943)

The composition presents a figure rendered in a fractured and fragmented style. Here we observe a man, presumably the artist himself, depicted against a backdrop of geometric planes that seem to simultaneously enclose and dissect him. The subject is positioned centrally within the frame, facing forward with an expression that appears both contemplative and slightly strained.
The color palette is dominated by earthy tones – ochres, browns, and muted oranges – interspersed with cooler blues and pinks. These colors are not applied uniformly; instead, they contribute to the overall sense of deconstruction through their abrupt transitions and sharp contrasts. The artist employed a technique that breaks down form into angular shapes, creating an effect of multiple perspectives simultaneously presented. This dismantles traditional notions of spatial depth and realistic representation.
The figure’s hands are prominently displayed, clasped in front of him. Their position suggests introspection or perhaps a gesture of restraint. The clothing appears formal – a dark jacket over a light shirt – which could indicate an attempt at self-presentation or a desire to convey a sense of intellectual seriousness.
Subtly embedded within the geometric structure is a feeling of unease and psychological complexity. The fragmentation of form might symbolize a breakdown in identity, a questioning of selfhood, or perhaps a reflection of the anxieties prevalent during the period in which this work was created. The sharp angles and disjointed planes contribute to an atmosphere that is far from serene; instead, it suggests tension and internal conflict.
The overall effect is one of intellectual rigor combined with emotional intensity. It’s not merely a portrait but a visual exploration of perception, identity, and the challenges inherent in representing subjective experience through artistic means.