SABRINA lrg Walter Girotto

The drawing presents a female figure in a reclining pose, occupying nearly the entire vertical space. The subject appears to be asleep or in a state of tranquil repose, her eyes closed and head tilted slightly back. Her body is partially draped with what seems to be a sheer fabric, revealing considerable skin while maintaining an air of modesty.
The artist employed a technique that emphasizes tonal variation through hatching and cross-hatching, creating a sense of volume and texture across the figure’s form. The rendering suggests a deliberate focus on anatomical detail, particularly in the depiction of the torso and limbs. Light seems to originate from the upper left corner, casting soft shadows and highlighting certain areas of the body, contributing to the overall feeling of serenity.
The composition is intimate and suggestive. The close-up perspective invites scrutiny while simultaneously maintaining a degree of distance through the subject’s passive state. Theres an element of vulnerability conveyed by the exposed skin and relaxed posture. The fabric serves not only as a covering but also as a compositional device, leading the viewer’s eye across the contours of the body.
Subtly, there is a sense of idealized beauty at play. While anatomical accuracy is evident, the figure possesses an almost timeless quality, hinting at themes of feminine grace and perhaps even a romanticized notion of slumber or dreamlike states. The limited palette reinforces this feeling of quietude and introspection.