Arthur William Devis – Portrait of a Gentleman, Possibly William Hickey, and an Indian Servant
c.1785. 106×84. oil on canvas
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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Standing adjacent to him is another figure, dressed in clothing indicative of South Asian origin and likely serving as a domestic aide. The individual’s attire – a green tunic over striped trousers and a turban – points toward an association with trade or colonial contexts. They are engaged in offering something to the gentleman; their hand extended towards his, creating a focal point within the scene.
The setting itself is understated but reveals details about the gentlemans status. A small table laden with objects – including what looks like scientific instruments and decorative items – is placed nearby. The room’s architecture, characterized by arched doorways and muted colors, contributes to an atmosphere of quiet opulence. Light falls unevenly across the scene, highlighting the faces of the two men while leaving portions of the background in shadow.
Subtleties within the painting hint at complex power dynamics. The gentlemans relaxed posture contrasts with the servant’s attentive stance, reinforcing a hierarchical relationship. The presence of the servant underscores themes of colonialism and global trade prevalent during the period. The objects on the table – potentially scientific or navigational tools – may allude to the gentleman’s involvement in commerce or exploration, further contextualizing his position within a network of colonial expansion.
The artists choice to depict these two figures together is significant. It moves beyond a simple portrait and introduces an element of social commentary, prompting reflection on issues of class, race, and the burgeoning global economy. The painting’s overall effect is one of restrained observation, allowing viewers to interpret the nuances of the relationship between the gentleman and his servant within the broader context of their time.