Arthur William Devis – Self Portrait
1742 oil on canvas
Location: Harris Museum, Art Gallery & Preston Free Public Library, Preston.
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The artist depicted him wearing a brown smock over a red waistcoat, the combination suggesting a professional identity – likely one associated with artistic labor. A crisp white lace cravat at his neck adds an element of refinement and formality, contrasting with the more practical nature of his working garment. The powdered wig, characteristic of the period, further reinforces this sense of status and belonging to a specific social stratum.
At the lower edge of the composition, a wooden palette is visible, laden with brushes and dabs of paint. This detail serves as an unambiguous signifier of artistic practice, directly linking the subject to his profession. The arrangement of the tools appears deliberate, almost staged, contributing to the overall sense of constructed identity.
The man’s posture – his elbow resting on a surface just outside the frame, his hand supporting his chin – conveys a mood of thoughtful consideration. It is a gesture often associated with intellectual pursuits and artistic creation. The darkness behind him obscures any specific setting, directing attention solely to the figure and reinforcing the sense that this is an exploration of selfhood rather than a depiction of a particular place or event.
Subtly, theres a tension between the formality of his dress and the informality of his pose. This could be interpreted as a commentary on the artist’s position within society – a professional who values both skill and status, but also embraces a degree of self-awareness and perhaps even a touch of melancholy. The overall effect is one of carefully constructed persona, designed to convey not only likeness but also character and profession.