Cosimo Tura – Saint Jerome
c.1470. oil & egg tempera on poplar
Location: National Gallery, London.
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Behind the central figure, a dense thicket of foliage dominates the background, obscuring much of the landscape beyond. A large owl perches within this arboreal setting, its gaze directed toward the kneeling man. To the left, a distant, smaller figure is visible, seemingly observing the scene from afar. Further back still, architectural elements – arches and columns – suggest a classical or Roman ruin, hinting at a connection between faith and antiquity.
The artist’s use of light contributes significantly to the paintings mood. A strong light source illuminates the man’s body, highlighting his musculature and emphasizing the drama of his pose. The shadows cast by the foliage create depth and mystery within the background. The color palette is restrained, dominated by earthy tones – browns, greens, and ochres – which reinforce the sense of austerity and spiritual devotion.
Several symbolic elements are present. The owl, traditionally associated with wisdom and nocturnal contemplation, likely represents intellectual pursuits or divine insight. The classical ruins in the distance may allude to the enduring power of ancient knowledge and its integration into Christian thought. The exposed body could signify vulnerability before God or a rejection of worldly concerns. The book lying on the ground near his feet might symbolize scholarship or the scriptures themselves.
The overall effect is one of profound spiritual intensity, suggesting a moment of divine encounter or revelation experienced by an individual dedicated to intellectual and religious pursuits.