Zhao Meng Fan – Professor CSA Print Zhao Meng Sun 041
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist employed varied ink washes to create depth and texture. Darker tones delineate the shadows on the rocks and within the pine foliage, while lighter washes suggest the play of light across the landscape. A deliberate roughness characterizes the application of ink; individual strokes are visible, contributing to a sense of spontaneity and naturalism. The trees themselves appear weathered and resilient, their forms hinting at endurance against unseen forces.
To the right side of the painting, a series of red seals are arranged vertically. These seals likely represent the artist’s signature, collectors marks, or other relevant inscriptions – a common feature in East Asian art. The presence of these seals adds another layer to the work, indicating its provenance and historical significance.
A horizontal inscription is visible at the lower right corner, written in a calligraphic script. The text likely provides contextual information about the artwork, such as the date of creation or a poetic commentary on the scene depicted. The placement of this inscription alongside the seals suggests an intentional integration of textual and visual elements within the overall composition.
Subtly, the painting conveys themes of resilience, solitude, and connection to nature. The ruggedness of the rocks and the tenacity of the pine trees evoke a sense of strength in adversity. The absence of human figures contributes to a feeling of quiet contemplation and emphasizes the grandeur of the natural world. The overall effect is one of understated elegance and profound observation, inviting viewers to reflect on the enduring power of nature and the passage of time.