Composition VII Vasily Kandinsky (1866-1944)
Vasily Kandinsky – Composition VII
Edit attribution
Download full size: 618×409 px (0,2 Mb)
Painter: Vasily Kandinsky
Wassily Kandinsky is rightly a talented Russian artist and an exquisite art theorist. Through his creativity and artistic works, this man was able to have a great influence on the historical development of all fine modern art. It is to his credit that he independently, with the help of his works, created the first prerequisites for the evolution of such type of art as abstractionism. Wassily Kandinsky belongs to those figures of art who were able not only to free paintings from the restrictions of representation, but also created many wonderful paintings, one of which is the picture Abstraction. Because of his style of painting, the Russian artist referred more to thinkers and philosophers than to figures of art.
Description of Vasily Kandinsky’s painting "Abstraction
Wassily Kandinsky is rightly a talented Russian artist and an exquisite art theorist. Through his creativity and artistic works, this man was able to have a great influence on the historical development of all fine modern art.
It is to his credit that he independently, with the help of his works, created the first prerequisites for the evolution of such type of art as abstractionism.
Wassily Kandinsky belongs to those figures of art who were able not only to free paintings from the restrictions of representation, but also created many wonderful paintings, one of which is the picture Abstraction.
Because of his style of painting, the Russian artist referred more to thinkers and philosophers than to figures of art. For this reason, each of his works was based on his personal philosophical positions and notions. As a result, all or most of these images went from his thoughts and reasoning to pictorial images.
Through his work, Wassily Kandinsky was able to have a major impact on the entire universe of the creative art world, forever changing the ways in which both modern painting and the painting of his era were perceived.
That he was a thinker can be understood by his aspirations. He created for himself and recognized the direction according to which he began his movement of intense configuration. As a result, he followed this direction and set a shining example to his followers and creators of the avant-garde. The essence of his paintings is the relentless search for a perfect synthesis between painting and music. This synthesis is considered by him as an analogy of science and philosophy.
The works of the great artist were highly valued not only during his lifetime but also after his death. And to this day they are considered some of the best in this direction of painting.
Кому понравилось
Пожалуйста, подождите
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
You need to login
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).



















You cannot comment Why?
A palette of intense hues – reds, yellows, blues, greens, and purples – is employed in a manner that eschews traditional representational color relationships. Colors are not used to depict objects realistically but rather to express emotional intensity and create visual dynamism. The interplay between complementary colors generates heightened contrasts and contributes to the overall feeling of agitation.
Within this chaotic arrangement, certain forms emerge as fleeting suggestions. Curvilinear shapes suggest organic growth or fluid movement, while angular lines introduce a sense of tension and fragmentation. These elements are not clearly defined; they dissolve into the surrounding color field, resisting easy categorization. The artist seems less interested in depicting recognizable objects than in exploring the expressive potential of pure form and color.
The painting evokes a feeling of overwhelming energy – a visual equivalent to an internal storm. It is difficult to discern any narrative or symbolic content in the conventional sense. Instead, the work appears to be an attempt to capture a subjective experience – perhaps a memory, a dream, or a profound emotional state – translated into abstract form. The lack of clear structure and the emphasis on pure sensation suggest a rejection of rational order in favor of intuitive expression.
The overall effect is one of immersive complexity; the viewer is drawn into a world where logic gives way to feeling, and individual forms are subsumed within a larger, pulsating whole.