Nicholas Chevalier – Sketch of the performance played on board ”HMS Galatea”
1869. w/c on paper
Location: Museum of New Zealand Te Papa Tongarewa, Wellington.
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The space surrounding the stage is populated with figures dressed in formal attire – men in dark suits and women in flowing gowns – suggesting an audience assembled for entertainment. They are arranged in clusters, some seated on what appear to be temporary benches, others standing and observing the scene. The artist has rendered them with a degree of detail that allows for individual characteristics to emerge, though their expressions remain largely neutral.
The overall atmosphere is one of controlled elegance and refined leisure. A significant element contributing to this impression is the extensive decorative scheme. Banners and flags – including what appears to be a Union Jack – drape from the ceiling, interspersed with garlands of foliage. A large chandelier hangs centrally, providing illumination and adding to the sense of opulence. The arrangement of these elements suggests an intentional effort to transform the ship’s interior into a temporary salon or ballroom.
Subtly, the drawing conveys themes of imperial power and naval prestige. The setting aboard a warship implies a demonstration of British dominance at sea, while the elaborate entertainment underscores the resources and cultural sophistication available even in a military context. The presence of flags signals national identity and allegiance. The landscape painting behind the stage might be interpreted as representing a conquered or admired territory, further reinforcing this sense of imperial reach.
The drawing’s composition directs attention towards the performance space while simultaneously acknowledging the audiences role in validating the event. It is not merely a depiction of an entertainment; it is a visual record of a carefully orchestrated display of power and social standing.