Henri Testelin – St. Peter Resurrecting the Widow Tabitha
1652 oil on canvas
Location: Museum of Fine Arts (Musée des Beaux-Arts), Arras.
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The woman below him is draped in pale fabric, her posture indicating lifelessness or extreme distress. Around her are gathered several individuals exhibiting a range of emotional responses: grief, supplication, and awe. One man, clad in vibrant red, raises his hands towards the central figure in what seems to be an act of fervent prayer or pleading. Others cover their faces with their hands, overwhelmed by the scene unfolding before them.
Above this group, hovering within a classical architectural setting defined by imposing columns and draped fabric, is a winged figure. This being appears to descend from the heavens, its arms outstretched in a gesture that could be interpreted as blessing or assistance. The background sky is rendered with swirling clouds, contributing to an atmosphere of divine intervention.
The architecture itself – the Corinthian columns and elaborate doorway – suggests a setting rooted in antiquity, possibly referencing Roman structures. This choice may serve to connect the narrative event to established historical contexts and lend it a sense of gravitas. The use of light is significant; it illuminates the central figure and the woman being revived, drawing attention to their interaction while leaving other areas in shadow, enhancing the dramatic effect.
Subtly, the painting explores themes of faith, resurrection, and divine power. The emotional range displayed by the onlookers underscores the profound impact of the event on the community. The architectural setting and the presence of the angelic figure elevate the narrative beyond a simple depiction of healing, suggesting a larger spiritual significance. The red garment worn by the pleading man could symbolize sacrifice or devotion, further enriching the symbolic layers within the work.