Alessandro Allori – Giovanna d’Austria
1570 oil on panel
Location: Palazzo Pitti, Firenze.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has paid considerable attention to rendering textures. The sheen of her skin, the crispness of the starched linen ruff, and the glimmering surfaces of the jewelry all contribute to a sense of opulent materiality. The ruff itself is exceptionally large, framing her face and contributing to an impression of formality and status. A heavy necklace, adorned with pearls and gemstones, further accentuates this display of wealth and rank.
The woman’s expression is complex; it conveys both dignity and a certain melancholy. Her lips are subtly pursed, suggesting restraint or perhaps a quiet sadness. The eyes, rendered in cool blue tones, possess an intensity that hints at intelligence and introspection. Theres a deliberate lack of overt emotion, which contributes to the overall sense of controlled presentation.
The placement of the jewels – particularly the emeralds scattered throughout her hair and the prominent pendant on her necklace – may carry symbolic weight. Emeralds were often associated with fertility, hope, and new beginnings, potentially alluding to aspirations for a prosperous future or dynastic continuity. The pearls, traditionally symbols of purity and wealth, reinforce the subject’s elevated position.
The overall effect is one of carefully constructed identity – a deliberate presentation of status, piety, and perhaps a degree of personal reserve. The portrait seems intended not merely as a likeness but as a statement about lineage, power, and the expectations placed upon a woman of her standing.