Daniel Hernández Morillo – Pierrette
~1878. Oil on panel 27x19 cm
Location: Sterling and Francine Clark Art Institute, Williamstown.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has rendered her in theatrical attire. A light-colored dress, seemingly made of delicate material, is paired with a blue bodice adorned with decorative buttons and a flowing blue sash that drapes elegantly around her shoulders. She wears a wide-brimmed hat, tilted slightly to one side, which partially obscures her hair. The overall effect suggests a performer or someone associated with the stage.
A single red flower is held loosely in her hand, its vibrant color providing a striking contrast against the pale tones of her dress and skin. This small detail introduces an element of fragility and perhaps even melancholy.
The lighting is soft and diffused, highlighting the contours of her face and emphasizing the texture of her clothing. The brushwork appears loose and impressionistic, contributing to a sense of immediacy and capturing a fleeting moment in time. The background’s deep red hue creates a dramatic contrast with the figures lighter palette, drawing attention to her presence while simultaneously suggesting an atmosphere of intimacy or seclusion.
Subtly, there is a feeling of constructedness about the scene. The theatrical costume, the carefully arranged pose, and the somewhat artificial lighting all point towards a deliberate presentation rather than a spontaneous observation. This could imply themes of performance, identity, and the blurring lines between reality and illusion. The woman’s gaze, directed slightly away from the viewer, suggests a certain detachment or introspection, hinting at complexities beyond her outward appearance.