Anders Zorn – Skala potatis - interiör med kulla
1916, 93х60
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist’s use of light and dark creates a dramatic contrast that emphasizes the figures presence and isolates her within the space. The deep shadows contribute to an atmosphere of introspection and perhaps even solitude. The window itself acts as a visual portal, hinting at a world beyond the confines of the room – a realm of nature and potential freedom that contrasts with the enclosed domesticity represented in the scene.
The woman’s attire – a simple, dark dress accented by a red headscarf – suggests a rural or working-class background. The muted color palette reinforces this impression, contributing to an overall feeling of austerity and practicality. The rough texture of the wooden table and the unadorned walls further underscore the simplicity of her environment.
Beyond the literal depiction of a woman peeling potatoes, the painting seems to explore themes of labor, domesticity, and perhaps even the quiet dignity found in everyday routines. There is an underlying sense of melancholy or resignation conveyed through the figure’s posture and expression; she appears not unhappy, but rather resigned to her duties. The scene evokes a feeling of timelessness, suggesting that this task has been performed countless times within similar settings across generations. Its possible to interpret it as a commentary on the lives of women in rural communities, highlighting their often-unseen contributions and the repetitive nature of their work.