Anders Zorn – Dalecarlian Girl Knitting. Cabbage Margit
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The womans attire contributes significantly to the overall atmosphere. She wears a traditional garment – a layered tunic over a long skirt – rendered in muted earth tones that harmonize with the surrounding environment. A red headband and a glimpse of red yarn provide subtle accents of color against the otherwise subdued palette. Her posture is slightly hunched, suggesting both concentration and perhaps a degree of weariness or resignation.
The lighting plays a crucial role in shaping the mood. It originates from an unseen source to her left, illuminating her face and upper body while leaving much of the background shrouded in darkness. This selective illumination draws attention to her features – her downcast gaze and slightly furrowed brow – which convey a sense of introspection or melancholy. The artist has employed a loose brushstroke technique, particularly evident in the rendering of the clothing and wooden surfaces, which lends a tactile quality to the scene and reinforces its authenticity.
Beyond the straightforward depiction of domestic activity, the painting seems to explore themes of tradition, labor, and perhaps even isolation. The woman’s engagement with a traditional craft suggests an adherence to established customs and a connection to her heritage. Her solitary occupation hints at a life lived in relative seclusion, far removed from bustling urban centers. There is a quiet dignity about her, despite the implied hardships of her existence. The overall effect is one of understated realism, inviting contemplation on the lives of those who maintain traditional ways of living within a changing world.