The Good Samaritan William Henry Margetson (1861-1940)

Here we observe a scene unfolding on a rocky hillside, bathed in warm, diffused light suggesting late afternoon or early morning. The composition is structured around three figures and a sense of narrative progression. A man lies prone at the base of the slope, his body exposed and vulnerable. He appears injured, with visible wounds on his face and torso. His posture conveys both pain and helplessness.
Kneeling beside him is another figure, dressed in modest but substantial clothing – a blue robe and head covering. This individual’s gesture is central to the scene; he gently places a hand upon the wounded mans forehead, an action that implies compassion and care. The proximity of their faces suggests an attempt at connection, perhaps offering solace or assessing the extent of the injury.
Further up the slope stands a third figure, accompanied by another individual seated on what appears to be a cart or vehicle. This group is positioned in a way that indicates they have passed by without intervening; their distance and averted gazes suggest indifference or a deliberate choice not to engage with the suffering man’s plight. The receding perspective of this group emphasizes the isolation of the injured man and the compassion of the kneeling figure.
The artist employed a muted palette, dominated by earth tones – browns, ochres, and blues – which contribute to the scenes somber mood. The rendering is loose and impressionistic, with visible brushstrokes that lend texture and immediacy to the work. The landscape itself seems harsh and unforgiving, further highlighting the vulnerability of those depicted within it.
Subtly, the painting explores themes of empathy, responsibility, and social indifference. The contrast between the active compassion shown by one individual and the passive neglect displayed by others raises questions about moral obligation and human connection. The exposed body of the injured man serves as a stark reminder of fragility and need, while the kneeling figure embodies an act of selfless kindness. The background figures introduce a layer of complexity, prompting reflection on societal norms and the potential for individuals to choose detachment in the face of suffering. Ultimately, the work seems to advocate for a more humane response to those experiencing hardship.