Alte und Neue Nationalgalerie – Lovis Corinth (1858 - 1925) - The Blinded Samson
1912. 130x105
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The artist has employed a palette dominated by earthy tones – ochres, browns, and muted greens – which contribute to the overall sense of oppression and decay. The application of paint is vigorous, with visible brushstrokes that convey a feeling of immediacy and emotional intensity. This technique adds texture and dynamism to the scene, mirroring the figure’s internal turmoil.
Heavy chains bind his wrists and ankles, further emphasizing his captivity and powerlessness. They are depicted with considerable detail, their metallic sheen contrasting sharply with the flesh tones of the mans body. The way he grasps at them suggests a desperate attempt to break free, though the futility of such an effort is palpable.
The background is indistinct, composed of vertical planes in varying shades of green that seem to press inward, intensifying the feeling of confinement. This lack of spatial clarity focuses attention entirely on the figure and his immediate predicament. The limited depth also contributes to a sense of claustrophobia.
Subtly, theres an exploration of themes beyond mere physical suffering. The blindness can be interpreted as representing a loss of faith or a descent into despair. The muscular physique, once indicative of strength and dominance, is now a source of burden, highlighting the fragility of even the most formidable individuals when confronted with adversity. There’s a suggestion that this mans downfall stems from hubris or an overestimation of his own capabilities. Ultimately, the work explores the complexities of human resilience in the face of overwhelming suffering, and the potential for both physical and spiritual devastation.