Jan Brueghel The Elder – Allegory of autumn
1616. 80.2 x 106.5
Location: Private Collection
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Around them, numerous individuals participate in the festivities. Some are actively gathering produce from the ground, while others appear to be enjoying the fruits of the labor – consuming grapes, engaging in playful interactions with children and animals, or simply observing the scene. The presence of infants nestled amongst the adults reinforces a sense of fertility and continuation.
The artist depicted a diverse range of figures, differentiated by their attire and posture. Some are draped in classical robes, hinting at mythological associations, while others wear more rustic garments, grounding the scene in a pastoral setting. A man with a horned headdress stands near the central group, potentially representing Bacchus or another deity associated with wine and revelry. The inclusion of animals – dogs, birds, and livestock – further enriches the atmosphere of abundance and natural harmony.
The background is characterized by a receding landscape, transitioning from dense foliage in the immediate foreground to distant hills bathed in soft light. A flock of sheep grazes on a hillside, while a vibrant parrot perches near the right edge of the canvas, adding an element of exoticism. The sky is clear and bright, contributing to the overall feeling of optimism and prosperity.
Subtly woven into this depiction of abundance are undertones related to mortality and the cyclical nature of time. Autumn, as a season of decline and preparation for winter, inherently carries connotations of loss and transition. While the scene celebrates the harvest’s success, it also implicitly acknowledges the fleeting nature of such bounty. The reclining figures languid pose might suggest a sense of contentment bordering on complacency, hinting at the inevitable passage of time and the need to prepare for what lies ahead. The scattered fruits and vegetables on the ground could be interpreted as symbols of decay and the eventual return to earth. Ultimately, the painting presents a complex interplay between celebration and contemplation, abundance and transience.