Woman in Profile (Turned to the Left), 1935, pencil Henri Matisse (1869-1954)

The drawing presents a portrait of a woman viewed in profile, her head turned slightly towards the left. Executed entirely in pencil on a cream-colored paper, the work is characterized by its stark simplicity and reliance on line. The artist has employed a continuous, unbroken line to define the contours of the face and hair, creating an impression of fluidity and grace despite the limited means.
Here we see a deliberate reduction of detail; features are suggested rather than meticulously rendered. The eyes, though small, possess a certain intensity, directed towards an unseen point beyond the frame. The mouth is indicated by a subtle curve, hinting at a quiet composure. The neck appears slender and elongated, merging seamlessly with the upper torso which is only partially visible.
The hairstyle is elaborate, featuring a complex arrangement of curls and waves that cascade around the head. These lines are not merely descriptive; they contribute to an overall sense of elegance and refinement. The artist’s hand seems confident in its execution, allowing for slight variations in line weight that add subtle nuances to the form.
The drawings sparseness invites contemplation. It is not a portrait intended to capture likeness with photographic accuracy but rather one focused on conveying a mood or an essence. The lack of shading or tonal variation emphasizes the purity of the line and directs attention to the underlying structure of the face. One might interpret this as a study in form, exploring the possibilities inherent within a single, unbroken stroke.
The inscription at the bottom left corner – 1935 – provides temporal context, situating the work within a specific historical moment. The drawing’s aesthetic aligns with modernist sensibilities, prioritizing abstraction and simplification over representational fidelity. It suggests an interest in capturing not just what is seen but also the underlying psychological state or inner life of the subject.