Jazz- The Toboggan, 1943, paper cut-outs Henri Matisse (1869-1954)

The work presents a layered composition constructed from precisely cut paper elements. A central figure, rendered in a deep blue hue, dominates the visual field; its form suggests movement – a dynamic pose that evokes a sense of falling or spiraling. The figures limbs are elongated and stylized, contributing to an overall impression of abstraction rather than realistic representation.
The background is divided into horizontal bands of color. A dark purple occupies the majority of the space, providing a somber backdrop against which the blue form stands out. Above this, a band of vibrant green introduces a contrasting element, while below it lies a strip of pinkish-red. These colored layers are further framed by black borders that incorporate stylized, radiating forms – resembling bursts of energy or abstracted foliage. The lower border features yellow versions of these radiating shapes, creating a visual echo and reinforcing the sense of rhythmic repetition.
The arrangement feels deliberately flattened; there is no discernible depth or perspective. This contributes to a decorative quality, reminiscent of textiles or patterned wallpaper. The use of cut-outs lends a tactile dimension to the work – the edges are not smooth but reveal the jaggedness of the cutting process, adding an element of spontaneity and handmade character.
Subtly, the composition hints at themes of descent and transformation. The falling figure could be interpreted as symbolic of change or upheaval, while the layered background suggests a complex interplay of forces. The bright colors offer a counterpoint to the darker tones, perhaps indicating hope or resilience amidst challenging circumstances. The radiating forms, repeated in both red and yellow, might symbolize vitality or an underlying energy that permeates the scene. Overall, the work conveys a sense of controlled chaos – a balance between structure and improvisation characteristic of jazz music, which the title alludes to.