Norman Rockwell – p nr cal2001 10
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Beside him stands a young girl, her gaze fixed intently on the musician. She wears sturdy boots and a red sweater, suggesting an active and playful nature. Her posture is one of rapt attention; she seems utterly absorbed in the performance unfolding before her. The proximity between the two figures establishes a clear intergenerational connection – a passing down of knowledge or appreciation for art.
The artist has employed a palette dominated by warm tones: browns, reds, and creams create an atmosphere of comfort and nostalgia. Light falls gently on the scene, highlighting the textures of the man’s clothing and the polished surface of the double bass. The background is blurred, directing focus to the central figures and their interaction.
The inclusion of the publication title The Saturday Evening Post and date (Feb. 3, 1923) anchors the work within a specific historical context – an era characterized by burgeoning consumerism and a desire for wholesome entertainment. The accompanying text, “Leave it to Psmith,” hints at a lighthearted narrative, further reinforcing this sense of accessible enjoyment.
Subtly, the painting speaks to themes of family, tradition, and the transmission of cultural values. It suggests that appreciation for art can be cultivated from an early age, and that moments of shared experience – even seemingly simple ones like listening to music – contribute to a sense of belonging and continuity. The image evokes a feeling of uncomplicated contentment, presenting a vision of domestic harmony rooted in shared passions.