Lucas Van Leyden – The Healing of the Blind Man of Jericho
right side panel of triptych showing young girl
Location: Hermitage, St. Petersburg (Эрмитаж).
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The figure’s arms are extended; one holds what appears to be a staff or rod, while the other is raised in a gesture of offering or guidance. The posture conveys a sense of authority and benevolence. A decorative element resembling a heraldic shield is positioned diagonally across her body, displaying complex patterns and colors – red crosses on a gold field, checkered sections, and a white diamond shape. Above this shield, ornate crests are visible, further emphasizing the figure’s elevated status or association with nobility.
The architectural setting is minimal but significant. A stone base provides a foundation for the womans stance, while a shadowed archway looms behind her, creating depth and framing her presence. The limited color palette – primarily whites, pinks, golds, reds, and dark browns – contributes to an overall sense of solemnity and grandeur.
Subtextually, the painting seems to explore themes of divine intervention or healing. The staff held by the woman could symbolize a conduit for grace or power. Her gesture suggests compassion and assistance offered to those in need. The heraldic elements introduce layers of meaning related to lineage, authority, and perhaps patronage – implying that this figure is not merely an individual but represents a larger institution or family with a responsibility towards its people. The dark background serves to isolate the woman, highlighting her importance and creating a sense of mystery surrounding her role. The composition’s verticality reinforces the impression of spiritual elevation and transcendence.