#38073 Eduardo Naranjo

The drawing presents two distinct studies of the human form, executed in a rapid and economical style using graphite on paper. The upper portion depicts a female figure in a reclining pose, viewed from a three-quarter angle. Her body is rendered with an emphasis on anatomical accuracy, though softened by a delicate handling of light and shadow. Lines delineate the contours of her torso, arms, and legs, while hatching suggests volume and form. Notably, annotations are present alongside the figure; these appear to be notes or measurements related to the proportions and musculature, indicating this is likely a study for a larger work. The posture conveys a sense of languid repose, with the head tilted slightly and the gaze directed towards an unseen point.
Below the reclining female figure sits another study, focusing on the lower torso and legs of what appears to be a male subject. Here we see a seated position, emphasizing the musculature of the thighs and knees. The lines are even more abbreviated than in the upper study, suggesting a focus on capturing essential forms rather than detailed rendering. This section seems less concerned with overall composition and more dedicated to examining specific anatomical details.
The presence of annotations throughout both studies suggests that this is not merely an aesthetic exercise but a working document – a tool for understanding and replicating human anatomy. The juxtaposition of the two figures, one female and one male, implies a comparative study of form and proportion. The overall impression is one of meticulous observation and a desire to understand the underlying structure of the body, characteristic of artistic training during the Renaissance period.