#38100 Eduardo Naranjo

The composition presents a stark interior scene dominated by a white table and a distorted mirror. Upon the table rests a shallow dish containing what appears to be a cooked bird carcass, meticulously rendered with attention to detail – the texture of the skin, the arrangement of feathers, and the skeletal structure are all visible. The same plate, along with its contents, is reflected in the mirror positioned directly behind the table.
The mirror’s shape is irregular, creating a fragmented reflection that disrupts the sense of spatial coherence. This distortion extends to the background, which shows what seems to be a bed covered with white sheets and blankets, partially visible through the mirrored surface. The light source appears to originate from a window on the left side of the scene, casting shadows across the table and highlighting the textures within the composition.
The color palette is restrained, primarily consisting of whites, creams, and subtle earth tones. This limited range contributes to an atmosphere of quietude and introspection. The starkness of the setting – the bare table, the monochromatic background – amplifies the unsettling presence of the bird carcass.
Several subtexts emerge from this arrangement. The mirror’s function as a reflector introduces themes of perception and illusion; what is seen directly versus what is reflected becomes ambiguous. The fragmented nature of the reflection suggests a fractured reality or a disrupted sense of self. The inclusion of the cooked bird, presented with such clinical detail, evokes notions of mortality, consumption, and perhaps even a commentary on domesticity – the preparation and presentation of food within a private space.
The overall effect is one of unsettling stillness, prompting contemplation about fragility, transience, and the complexities of observation. The artist seems to be exploring the relationship between reality and representation, inviting viewers to question their own perspectives and interpretations.