Joaquin Sorolla y Bastida – Boxing raisins
1901
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist’s brushwork is loose and impressionistic; details are suggested rather than meticulously rendered. The figures themselves are not individualized but presented as part of a collective, emphasizing the monotony and scale of the labor involved. Their postures suggest fatigue and concentration, their faces largely obscured by shadow or turned away from the viewer. This lack of individualization contributes to a sense of anonymity and potentially underscores themes of industrialization and its impact on human experience.
The color palette is dominated by warm tones – ochres, browns, and yellows – which evoke a feeling of dustiness and the dryness associated with dried fruit. The overall atmosphere is one of quiet industry, but also carries an undercurrent of melancholy. The sheer number of workers crammed into the space suggests both efficiency and potential exploitation.
The arrangement of the figures creates a sense of depth, drawing the eye towards the back of the room where more individuals are visible, continuing the same task. This reinforces the impression of a large-scale operation and the relentless nature of the work. The presence of windows in the background hints at an exterior world beyond the confines of the facility, perhaps suggesting a contrast between labor and leisure or confinement and freedom.
Subtly, the painting seems to comment on the changing social landscape of the era – the shift from agrarian economies to industrialized production and its effect on working-class populations. The focus isnt celebratory; instead, it offers an observational study of human effort within a system that prioritizes output over individual well-being.