Joaquin Sorolla y Bastida – Aureliano de Beruete
1902
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist employed a muted color palette dominated by shades of brown, gray, and black, which contributes to an atmosphere of quiet dignity and introspection. Light falls primarily on the gentleman’s face and hands, highlighting their texture and form while leaving much of the background in shadow. This selective illumination draws attention to his presence and reinforces a sense of personal significance.
Behind him, partially obscured by heavy drapery, is a glimpse of an exterior scene – a cityscape with imposing structures that suggest historical or architectural importance. The indistinct nature of this backdrop implies a connection between the sitter and a broader cultural heritage, yet it remains secondary to the individual’s portrayal.
The gentleman holds what appears to be a pen or pencil in his hand, resting on a small table; this detail might allude to intellectual pursuits or creative endeavors. His posture suggests a moment of pause, perhaps reflecting upon thoughts or observations. The overall impression is one of a man of intellect and refinement, comfortable within his surroundings yet possessing an underlying sense of seriousness.
The composition’s arrangement – the sitter positioned against the backdrop of a significant landscape – hints at themes of legacy, responsibility, and the individuals place within a larger historical context. It suggests that this is not merely a likeness but also a symbolic representation of character and standing.