Vanitas Still Life Evert Collier (1640-1707)

The composition presents a meticulously arranged assemblage of objects on a draped table against a dark background. A palpable sense of solemnity pervades the scene, immediately suggesting a meditation on mortality and the fleeting nature of earthly pleasures.
Several elements contribute to this atmosphere. The presence of extinguished candles signifies the passage of time and the loss of vitality. Alongside them, a partially burned candle hints at a life consumed. Scattered pearls, indicative of wealth and beauty, lie carelessly arranged, their luster diminished by their disarray. A violin and bow rest askew, suggesting abandoned artistic pursuits and the silence that follows creative endeavor. The globe, bearing the inscription PACIFICUM, alludes to aspirations for peace and dominion, rendered ironic by the overall melancholic tone.
A book lies open, its pages displaying a map of the world – a symbol of knowledge and exploration – yet it appears neglected, overshadowed by the surrounding symbols of decay. A small portrait is positioned near the lower edge; its subject’s gaze seems distant, perhaps reflecting on their own impermanence or that of those they knew. The inscription BREVIS ES AEONIS LONGA (short is life, long is time) reinforces this theme of transience and the vastness of eternity.
The arrangement isnt merely decorative; it’s a deliberate construction designed to provoke reflection on the vanity of worldly possessions and achievements. The objects – representing learning, art, wealth, power, and personal identity – are juxtaposed in a way that underscores their ultimate insignificance in the face of death. The artist has created not just a still life but a visual sermon, urging contemplation of the ephemeral nature of existence.