Jacob Heinrich Elbfas (Attributed) – Carl Carlsson Gyllenhielm (1574-1670)
Location: National Museum (Nationalmuseum), Stockholm.
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The man’s clothing contributes significantly to the overall impression. A dark, possibly black, velvet doublet is visible, its texture subtly suggested through variations in tone. Across his chest hangs an elaborate sash or order, embroidered with intricate patterns that are difficult to discern precisely due to the lighting and distance. The collar of his shirt is high and starched, a detail common in portraiture of this period, signifying status and formality. He holds a walking stick in his right hand, resting it against his side; its presence suggests age or perhaps a symbolic representation of authority and journeying.
The artist’s technique demonstrates an interest in capturing the sitters likeness with a degree of realism, though the rendering is somewhat stylized. The lighting is focused on the face and hands, leaving much of the body in shadow. This creates a sense of depth and draws attention to the individual’s features. A signature, M: D: de Sully, appears in cursive script at the upper right corner, providing a potential attribution or indication of the artists involvement.
Subtleties within the portrait suggest layers of meaning beyond a simple representation. The direct gaze establishes a connection with the viewer, conveying an impression of confidence and perhaps even challenge. The dark clothing and somber background contribute to a mood of seriousness and gravitas. The presence of the sash implies membership in an important order or association, hinting at his social standing and political influence. Overall, the painting conveys an image of a man of considerable stature, authority, and experience, carefully constructed through visual cues that speak to his position within society.