nl 126a Henry Darger (1892-1973)

The artwork presents a scene of mounted figures engaged in what appears to be a hunt or sporting event. The composition is divided into two distinct sections, visually separated by a vertical tear across the canvas, which introduces a palpable sense of disruption and fragmentation.
Here we see several riders on horseback, rendered with a somewhat naive, almost childlike quality. Their attire – bright red jackets and what appear to be white breeches – contrasts sharply against the muted grey-blue background, drawing immediate attention to their presence. The horses are depicted in various poses: some mid-stride, others rearing or appearing agitated. This dynamism suggests an energetic pursuit unfolding across a landscape defined by a low horizon line and indistinct hills.
The artist placed several details that contribute to the overall narrative. A series of wooden barriers or hurdles punctuate the foreground, indicating a structured course rather than a free-ranging chase. The figures are not uniformly rendered; some appear more detailed than others, contributing to an unevenness in execution that might be intentional, perhaps reflecting a spontaneous observation or memory.
In the lower right corner, handwritten text is visible, partially obscured by damage and staining. This inscription seems to offer a brief commentary on the scene, though its legibility is compromised. The presence of this textual element suggests a personal connection between the artist and the depicted event – a record of an experience rather than a purely aesthetic representation.
The damaged state of the artwork itself adds another layer of complexity. The tear across the canvas isnt merely a physical flaw; it disrupts the visual flow, creating a sense of loss or interruption. This damage could be interpreted as symbolic – perhaps hinting at the fleeting nature of time and memory, or reflecting a broader disruption within the context from which the work originated.
The subdued palette and simplified forms suggest an amateurish hand, yet theres a certain charm in the directness of the observation. The painting conveys a sense of immediacy – a snapshot of a moment captured with unrefined skill but genuine feeling.