The plane trees in Céret Chaïm Soutine (1893-1943)

Here we observe a landscape dominated by a cluster of large plane trees. The composition is structured around these trees, which twist and curve dramatically across the canvas, their forms almost sculptural in their intensity. They are not presented as serene or static elements; rather, they appear animated, imbued with an energetic vitality that suggests movement and growth.
The artist employed a thick impasto technique, applying paint in visible strokes that contribute to the overall sense of dynamism. The color palette is earthy and warm, primarily consisting of ochres, reds, greens, and browns. These hues are not blended smoothly; instead, they exist side-by-side, creating a textured surface and contributing to the painting’s expressive quality. Light appears diffused, filtering through the foliage and illuminating patches of the ground.
The ground itself is rendered in broad strokes of red and orange, suggesting warmth and perhaps even dryness. It slopes upwards towards the trees, leading the viewers eye into the depths of the scene. The background is less defined, appearing as a hazy expanse of muted greens and grays, which further emphasizes the foreground’s density and vibrancy.
Beyond a straightforward depiction of nature, the painting conveys a feeling of emotional intensity. The exaggerated forms of the trees suggest an inner life, a struggle against unseen forces. Theres a sense of confinement or enclosure created by the close proximity of the trees, hinting at themes of resilience and adaptation in the face of adversity. The vibrant color choices and energetic brushwork contribute to this impression, evoking a feeling that is both powerful and somewhat unsettling. It’s not merely an observation of a landscape; its a subjective interpretation of its essence, filtered through the artist’s emotional lens.