Chaïm Soutine – The maid
1930. Oil on canvas, 110×34cm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The color palette is dominated by muted tones – earthy greens and browns for the backdrop, contrasted with the pinks and whites of the woman’s attire. The artist employed a somewhat rough application of paint, visible brushstrokes contributing to a sense of immediacy and emotional intensity. The face, though rendered with simplified features, conveys an expression that could be interpreted as melancholy or quiet distress. Her gaze is directed downwards, avoiding direct engagement with the viewer.
The clothing she wears – a simple dress and apron – indicates a working-class status, likely suggesting domestic service. This detail immediately establishes a social context, hinting at themes of labor, class disparity, and perhaps exploitation. The limited details provided about her environment further emphasize her isolation and vulnerability.
Subtly, the painting seems to explore the psychological weight carried by individuals within hierarchical societal structures. The woman’s posture and facial expression suggest an internal struggle or a burden borne in silence. While no overt narrative is presented, the work evokes a sense of quiet dignity amidst hardship, prompting reflection on the unseen lives and experiences of those often marginalized. The darkness surrounding her further isolates her, emphasizing her solitude within a larger, undefined world.