#23760 Juan Romero

The drawing presents a densely patterned composition dominated by floral motifs and a central architectural structure. The artist has employed a meticulous linework technique, creating intricate details within both the botanical elements and the buildings design. A monochromatic palette of black ink on white paper contributes to the work’s overall visual intensity.
Here we see an elaborate arrangement of flowers in various stages of bloom. They are not rendered naturalistically; instead, they appear stylized and decorative, with repetitive patterns forming their petals and leaves. The density of these floral elements creates a sense of abundance and almost overwhelming growth. A multitude of small circular forms – likely intended as dots or seeds – are scattered throughout the background, further enhancing this feeling of proliferation.
The central focus is drawn to an East Asian-style pagoda. Its tiered structure is clearly delineated with precise lines, suggesting a deliberate attempt at architectural representation, albeit one that prioritizes decorative detail over realistic proportion. The building’s placement within the floral environment implies a harmonious relationship between nature and constructed space.
Subtly, the drawing evokes themes of order and intricacy. The repetitive patterns suggest a meditative process, potentially reflecting an interest in Eastern philosophies or artistic traditions where meticulous craftsmanship is highly valued. The abundance of flora might symbolize fertility, growth, or even a sense of paradise. However, the lack of color and the almost claustrophobic density of the composition could also introduce undertones of confinement or a slightly unsettling feeling of being overwhelmed by detail.
The signature Formeniera 17-VII-84 in the lower left corner provides context as to authorship and date of creation, suggesting a personal exploration within a specific timeframe.