UnicornCal31 Wolfgang Grasse

The composition presents a dreamlike scene dominated by cool blues and greens, set against a stark black background that frames the central action. A large, luminous orb – likely intended as a moon – illuminates the space, casting a spectral glow on the figures within.
Here we see a majestic equine creature positioned centrally, its form rendered in shades of blue, almost appearing to be sculpted from the very light it reflects. The animal’s posture suggests both alertness and vulnerability; it seems poised, yet contained, as if aware of an unseen presence.
Superimposed upon the unicorn is a human figure, whose body is painted in vibrant greens, creating a striking visual contrast with the blue of the horse. This layering obscures the individual identities while simultaneously merging them into a single, ambiguous form. The figure’s posture is reclined, almost languid, yet its face remains largely hidden, contributing to an overall sense of mystery and detachment.
The background features stylized foliage – palms and other tropical plants – rendered in varying shades of blue and green, further enhancing the otherworldly atmosphere. A single curtain, a splash of intense red, hangs along the right edge of the canvas, acting as a visual barrier between the scene and an implied external space. This element introduces a sense of theatricality or enclosure, suggesting that what we are witnessing is staged or observed from afar.
The subtexts within this work appear to explore themes of transformation, duality, and perhaps even captivity. The merging of human and animal forms could be interpreted as a symbolic representation of the blurring boundaries between nature and civilization, or the subconscious mind and conscious self. The unicorn, often associated with purity and grace, is here presented in conjunction with the veiled figure, suggesting a potential corruption or entanglement of these ideals. The moon’s presence reinforces the dreamlike quality, hinting at hidden desires or repressed emotions. Ultimately, the painting invites contemplation on the complex interplay between identity, perception, and the natural world.