Samuel Colman – The Destruction of Pharaohs Host
c.1830 oil on canvas
Location: Museum & Art Gallery, Bristol.
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The lower portion of the image presents a densely packed group of individuals seemingly in panicked retreat. Their postures convey desperation and terror; many appear to be falling or struggling against an unseen force. The artist has rendered them with a muted palette of browns, grays, and ochres, emphasizing their vulnerability and insignificance within the grand scale of the disaster.
To the left of the central light shaft, a rocky hillside rises, populated by additional figures who appear to be witnessing the unfolding tragedy from a slightly elevated position. Their expressions are difficult to discern definitively, but there is an implication of awe or perhaps horrified fascination. The landscape itself is rendered with considerable detail, suggesting a rugged and unforgiving environment.
The right side of the painting features a massive, dark chasm that dominates the background. This void appears to be the source of a powerful surge of water, which engulfs the figures in the foreground. The artist uses swirling brushstrokes to convey the force and turbulence of this deluge. The darkness within the chasm is profound, hinting at an abyss or unknown depths.
The subtexts embedded within this work are complex. The central light beam can be interpreted as a symbol of divine intervention or judgment, separating those who are spared from those who perish. The overwhelming power of nature – represented by the flood and the imposing landscape – underscores humanity’s fragility in the face of forces beyond its control. The compositions verticality reinforces this sense of scale and emphasizes the insignificance of individual lives against a backdrop of cosmic drama. There is an underlying narrative of deliverance intertwined with destruction, suggesting themes of faith, punishment, and redemption.