Ecstasy of St. Teresa, by Sebastiano Ricci, 1725 Sebastiano Ricci (1659-1734)

The composition unfolds within a dramatically lit architectural space, framed by a curved top and dark sides that intensify the central scene. Here we see a woman in monastic habit, positioned centrally and seemingly suspended amidst swirling clouds. Her posture is one of profound surrender; her head thrown back, eyes closed, mouth slightly parted, suggesting an overwhelming experience.
Surrounding her are several figures – winged beings, presumably angels – who contribute to the sense of otherworldly intervention. One angel, prominently placed near the center, holds a golden spear pointed downwards towards the woman. The other angels appear to observe with expressions ranging from curiosity to reverence. Their poses and gestures add to the dynamism of the scene, creating a visual vortex around the central figure.
The color palette is dominated by warm tones – golds, browns, and creams – which contribute to an atmosphere of richness and spiritual intensity. The woman’s habit provides a grounding element amidst the ethereal clouds, while her pale skin contrasts with the darker background, drawing attention to her face and posture.
At the base of the composition lies a book and what appears to be writing materials, hinting at intellectual or devotional pursuits preceding this moment of intense experience. This detail suggests that the event depicted is not entirely spontaneous but may be linked to contemplation or study.
The subtexts within the painting revolve around themes of divine intervention, spiritual ecstasy, and surrender to faith. The spear held by the angel can be interpreted as a symbol of both pain and purification – a necessary element in achieving union with the divine. The woman’s passive acceptance suggests a complete relinquishing of control, allowing for an experience beyond human comprehension. The presence of the observing angels implies that this event is not merely personal but also witnessed and sanctioned by higher powers. Overall, the work conveys a sense of profound religious fervor and the transformative power of faith.