Domenichino – The Madonna della Rosa
before 1627 oil on canvas
Location: Chatsworth House, Derbyshire, UK
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The child sits comfortably in her lap, partially nude and exhibiting an alert, inquisitive gaze. He holds a single rose, mirroring the floral motif held by his mother in her outstretched hand. This repetition of imagery establishes a visual link between them, reinforcing their connection and potentially symbolizing innocence or divine grace. The child’s skin tone is warm and ruddy, contrasting with the cooler tones of his mothers garments and veil.
The composition is structured around a horizontal ledge that serves as a platform for the figures. This ledge appears to be part of an architectural setting, though it is minimally defined, allowing focus to remain on the central subjects. To the right, a draped fabric hangs down, adding depth and further isolating the scene from any discernible background details.
The lighting in this painting is dramatic; a single source illuminates the figures from the front, creating highlights on their faces and bodies while leaving much of the surrounding space in shadow. This chiaroscuro effect enhances the sense of intimacy and reverence associated with the subject matter. The overall impression is one of quiet contemplation and tenderness, suggesting a moment of profound connection between mother and child.
Subtly, theres an undercurrent of sadness or introspection within the woman’s expression. It isnt overt grief, but rather a sense of pensive awareness that hints at deeper emotional complexities beyond the immediate depiction of maternal love. The rose, held by both figures, could be interpreted as a symbol of beauty and fragility, perhaps alluding to themes of mortality and sacrifice.