image 116 National Museum of Women in the Arts

The composition presents a complex interplay of layered elements and contrasting textures across a predominantly yellow field. A large, roughly rectangular area dominates the central space, its surface agitated by energetic brushstrokes in shades of ochre, orange, and brown, creating an impression of movement and underlying turbulence. This expanse is not uniform; it appears to be built up from multiple layers of paint, suggesting a process of addition and revision.
Arranged across this yellow ground are numerous smaller, rectangular patches. These fragments exhibit a wider range of color – reds, blues, pinks, and whites – and display varying degrees of abstraction. Some appear almost like miniature landscapes or abstracted portraits, with hints of recognizable forms emerging from the chaotic application of paint. The edges of these patches are not sharply defined; instead, they seem to bleed into the surrounding yellow field, further blurring distinctions between individual elements.
A dark brown border frames the left side of the painting, while a thin band of green runs along the lower edge. These borders serve as visual anchors, defining the boundaries of the composition and providing a contrast to the vibrancy within. Several thin, white lines traverse the surface, adding another layer of complexity and suggesting an impulsive, almost calligraphic gesture.
The overall effect is one of fragmentation and reconstruction. The painting seems to be assembled from disparate pieces, each with its own history and visual language. This suggests themes of memory, loss, or the process of piecing together a fragmented narrative. The energetic brushwork and vibrant color palette convey a sense of vitality and emotional intensity, while the layering and collage-like arrangement hint at a deeper exploration of time, perception, and the construction of meaning. Theres an intentional ambiguity; the viewer is invited to interpret these fragments and construct their own understanding of the whole.