art 124 National Museum of Women in the Arts

The work presents a frontal composition featuring three figures arranged in a symmetrical manner within a shallow, box-like structure. The background is constructed from hammered metal, creating a textured surface that appears almost like a dense forest of tiny peaks and valleys. This metallic backdrop contrasts sharply with the brightly colored figures positioned in front.
Here we see three individuals, seemingly posed as if engaged in a ritualistic or ceremonial act. They hold hands, forming a closed circle. The central figure is slightly smaller than the flanking ones and wears an elaborate headdress adorned with a cross. The two outer figures are similarly attired, each sporting ornate headwear and long, flowing garments decorated with intricate floral patterns rendered in vibrant hues of red, yellow, orange, and green against a cream-colored base. One holds a single rose.
The faces of the individuals are characterized by elongated features and stylized expressions, lacking detailed individualization. Their gazes appear directed outward, beyond the viewer. The overall effect is one of formality and perhaps even solemnity, despite the bright colors and decorative elements.
Subtexts within this piece suggest themes of community, faith, or tradition. The circular arrangement implies unity and interconnectedness. The floral motifs on the garments could symbolize fertility, growth, or a connection to nature. The prominent cross atop the central figure’s headdress points towards religious significance, while the rose held by one of the figures might represent love, sacrifice, or beauty.
The use of metal as a primary material introduces an element of resilience and permanence, possibly alluding to enduring cultural values or beliefs. The box-like structure itself creates a sense of enclosure, suggesting a sacred space or a protected tradition. The artist’s choice of materials and the stylized representation of the figures contribute to a work that is both visually striking and laden with symbolic meaning.