image 122 National Museum of Women in the Arts

The painting presents a landscape dominated by vibrant color and simplified forms. Here we observe a vista composed of rolling hills descending towards a body of water, likely a lake or wide river. The composition is structured around a central axis formed by the waters surface, which reflects the sky above in shades of blue.
The artist employed an expressive use of color to convey mood and form rather than realistic representation. The foliage on the hillsides displays a rich palette of oranges, reds, and yellows, suggesting autumn or perhaps an idealized, intensified version of nature. The mountains in the background are rendered with broad strokes of green and brown, their forms somewhat abstracted.
Several buildings punctuate the landscape, clustered near the foreground. These structures possess simplified architectural details, characterized by sharply angled roofs painted in contrasting colors – red, blue, and white – that contribute to the overall vibrancy of the scene. The houses appear integrated into the natural environment rather than imposing upon it.
In the lower portion of the painting, a lone horse stands on a grassy plain, its presence adding a sense of tranquility and pastoral charm. A path leads towards the buildings, inviting the viewers eye deeper into the composition.
The overall effect is one of idealized beauty and emotional intensity. The simplification of forms and the heightened color palette suggest an interest in conveying subjective experience rather than objective reality. There’s a feeling of optimism and serenity conveyed through the bright colors and harmonious arrangement of elements, hinting at a longing for connection with nature and a retreat from urban life. The painting seems to explore themes of harmony between humanity and the natural world, albeit filtered through a lens of emotional expression.