National Museum of Women in the Arts – art 119
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
In the foreground, a cultivated field occupies a significant portion of the canvas. A farmer, guiding a team of horses, works the land, suggesting an ongoing cycle of agricultural labor and sustenance. Adjacent to this field sits a modest farmhouse with a stone chimney, its presence indicating domesticity and settled life. A dirt path leads from the house towards the river, connecting it visually to the village beyond.
The color palette is characterized by earthy tones – greens, browns, and yellows – which evoke a sense of natural abundance and tranquility. The sky displays a range of blues and whites, hinting at an approaching sunset or dawn. Light falls unevenly across the scene, creating areas of shadow and highlighting certain elements like the farmhouse and the trees near the riverbank.
The artist’s style is notable for its simplified forms and flattened perspective. Details are rendered with a degree of naiveté, prioritizing overall composition and narrative over strict realism. The arrangement of elements – the winding river, the village nestled in the hills, the working farmer – conveys an idealized vision of rural life, one that emphasizes harmony between humanity and nature. There is a sense of order and stability within this landscape, suggesting prosperity and community.
The painting’s subtexts likely revolve around themes of pastoralism, hard work, and the virtues of rural existence. The depiction of the church spire suggests a strong moral foundation for the community. The presence of the farmer and his horses underscores the importance of agriculture in sustaining life. Overall, the artwork appears to celebrate the simplicity and resilience of rural American culture.