Part 3 National Gallery UK – Giovanni Bellini - Doge Leonardo Loredan
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The man’s attire immediately signals high status. He wears a lavishly embroidered white garment, likely silk or satin, the intricate patterns suggesting wealth and power. A complex headpiece, also predominantly white with gold accents, dominates the composition; its elaborate construction speaks to ceremonial importance and civic duty. Around his neck hangs a string of large, dark beads – possibly rosary beads – a detail that introduces a layer of religious significance into an otherwise secular depiction.
The artist has rendered the man’s features with meticulous realism. Fine lines etched around his eyes and mouth hint at age and experience, conveying a sense of gravitas. The skin tone is pale, characteristic of individuals who likely spent much of their time indoors engaged in administrative duties. A subtle smile plays on his lips, not overtly joyful but rather restrained, indicative of composure and self-control.
The dark horizontal band across the lower portion of the painting serves as a grounding element, visually separating the figure from the background and emphasizing his presence. The inscription placed upon this band is difficult to decipher without closer inspection, yet its inclusion suggests an intention to memorialize or identify the subject.
Beyond the straightforward representation of a powerful individual, the portrait seems to explore themes of civic responsibility and spiritual contemplation. The combination of opulent attire and religious iconography implies a man who balances worldly authority with piety. The overall effect is one of dignified restraint – a visual testament to a life lived in service to both state and faith.