Joanna Mary Boyce Wells – Head of a Mulatto Woman (Mrs. Eaton)
1861. 17×14
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
Album navigation:

На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The hair is dark, densely painted with visible brushstrokes that convey texture and volume. A blue ribbon adorns her hair, providing a contrasting color element against the darker tones. Small pearl earrings dangle from her ears, adding a touch of understated elegance to the composition. The neck appears slender and graceful, emerging from a loosely draped garment rendered in soft whites and creams.
The background is an ambiguous expanse of muted greens and browns, deliberately indistinct, which serves to isolate the figure and direct focus entirely upon her face and profile. This lack of contextual detail contributes to a sense of timelessness and universality. The artist’s technique emphasizes realism but avoids excessive idealization; theres a quiet dignity in the subject’s presentation that transcends mere physical likeness.
Subtly, the work engages with themes of identity and representation. The careful rendering of her features suggests an attempt at capturing not just appearance, but also perhaps something of her inner character. The choice to depict her in profile is significant; it evokes a sense of restraint and introspection, while simultaneously presenting a view that is both direct and somewhat removed. The pearls, a symbol often associated with purity and status, introduce a layer of complexity regarding social standing and perception. Ultimately, the portrait invites contemplation on notions of beauty, race, and the complexities inherent in portraying an individual within a specific historical context.