Childe Frederick Hassam – A Shower-Bonaparte Street(1887) Po Amp 061
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The dominant visual element is the rain itself; it appears as shimmering reflections on the wet cobblestones and blurs the outlines of figures and carriages alike. A procession of horse-drawn vehicles moves slowly along the street, their drivers hunched against the weather. The foreground is occupied by two men, seemingly laborers or working-class individuals, who are depicted with a focus on their posture – heads bowed, shoulders slumped – suggesting weariness and resignation under the relentless downpour.
The color palette is muted, dominated by grays, browns, and ochres, which contribute to the overall atmosphere of dampness and melancholy. However, subtle touches of orange and yellow in the buildings provide a contrast that prevents the scene from becoming entirely bleak. The artist employed loose brushstrokes, characteristic of Impressionism or Post-Impressionism, capturing not just the appearance of the street but also its sensory experience – the chill of the rain, the slickness of the pavement, the muffled sounds of the city.
Beyond a straightforward depiction of an everyday occurrence, the painting seems to explore themes of labor and urban life in late nineteenth-century Paris. The figures in the foreground, dwarfed by their surroundings and seemingly indifferent to the activity around them, evoke a sense of anonymity and social marginalization. The rain, while visually striking, also functions metaphorically, perhaps symbolizing hardship or the relentless passage of time. The receding perspective creates a feeling of vastness and distance, emphasizing the individuals smallness within the larger urban landscape.