The Seven Deadly Sins and the Four Last Things – Greed (workshop or follower) Hieronymus Bosch (1450-1516)

This artwork depicts a scene of greed within a pastoral setting. The central focus is a group of individuals engaged in what appears to be a transaction or negotiation. In the foreground, a book lies open on a wooden box, accompanied by a quill and an inkwell, suggesting themes of contracts, records, or perhaps even biblical scripture being disregarded.
The figures are dressed in rich, period clothing. On the left, two men in robes and hats sit on a bench, one holding a document, hinting at legal or financial matters. Another figure in a distinct green robe stands, gesturing and holding a purse or satchel. Facing him, a man in a pink robe, carrying a staff and adorned with a pouch, appears to be in conversation, possibly involving an exchange with a fourth figure who is reaching out, perhaps to take something or to offer it. This interactive stance, especially the subtly extended hand of the figure on the far right, suggests the act of taking or receiving, a core element of greed. In the background, a humble dwelling with a thatched roof and a tree adds to the rural ambiance, contrasting with the apparent worldly concerns of the figures. The inscription Avaricia (Spanish for Greed) is clearly visible at the bottom of the painting, explicitly identifying the subject matter.
The subtext revolves around the sin of avarice, illustrating how its pursuit can corrupt interactions and take place even in seemingly simple environments. The presence of the bible and writing tools can be interpreted ironically, suggesting that such earthly desires often take precedence over spiritual or moral guidance. The overall composition aims to visually represent the insidious nature of greed, possibly as a cautionary tale during the period it was created.