Giovanni Bellini – Baptism of Christ
1501. 410x265. Chiesa di Santa Corona, Vicenza
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ТАНЕЦ
Повела плечами, изогнулась,
Звякнули браслеты на руках,
В танец, как в накидку завернулась,
Разжигая огоньки в глазах.
Руки в ритме истовом мелькали,
Бёдра полыхали, как костёр.
Все, забыв про пиршество, желали
Танцовщицу, страстью масля взор.
Воздух пропитало вожделенье.
Волосы струятся и текут.
Стана изощрённое вращенье
Вызывает восхищенье тут.
Потрясала мастерством высоким.
Саломея, танец завершив,
Взглядом обвела, весьма жестоким
Зал, не ждавший чёрных перспектив.
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Here we see a group of four figures arranged along the left side of the composition. A woman draped in yellow robes stands beside a man clothed in blue, both observing the central event with expressions that suggest reverence and solemnity. A youthful figure, presumably a child, is positioned between them, his gaze directed towards the baptismal scene. The arrangement suggests familial or communal involvement in this sacred moment.
The individual administering the rite is depicted as an older man, clad in green robes and holding what appears to be a vessel from which water is being poured. He stands on a rocky outcrop, creating a visual separation between him and the immersed figure. His posture conveys authority and purpose. The placement of his feet, one firmly planted and the other slightly raised, contributes to this sense of stability and action.
The individual undergoing baptism is rendered with an emphasis on physical vulnerability; he stands nude in the water, arms raised in a gesture that could be interpreted as acceptance or supplication. His body is modeled with careful attention to anatomical detail, yet his expression remains ambiguous, leaving room for contemplation regarding his inner state.
Above this earthly scene, a figure appears suspended within clouds, surrounded by angelic beings. The individual’s long hair and beard, along with the flowing blue robes, suggest a divine identity. A beam of light emanates from this celestial presence, converging upon the immersed figure, signifying divine blessing and sanctification. This upper portion of the painting introduces an element of transcendence, linking the earthly event to a higher spiritual realm.
The landscape itself is not merely a backdrop; it contributes to the overall meaning. The distant architecture suggests civilization and order, contrasting with the natural wilderness that surrounds the scene. The inclusion of vegetation – trees, shrubs, and rocky outcroppings – adds depth and realism to the setting while also symbolizing growth and renewal.
The color palette is dominated by earth tones – browns, greens, and yellows – which create a sense of warmth and serenity. However, the use of vibrant blues in the robes of the celestial figure and the man observing the baptism introduces a note of spirituality and significance. The overall effect is one of quiet dignity and profound religious meaning.