Rijksmuseum: part 3 – Neer, Aert van der -- Riviergezicht bij maanlicht, 1640-1650
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Along the left edge, a cluster of buildings is visible, their forms partially obscured by shadow and distance. These structures appear to be residential or commercial, suggesting a small settlement bordering the river. To the right, the landscape opens up, revealing a wider expanse of water dotted with several sailing vessels. A windmill stands on the distant shore, its silhouette adding depth and scale to the composition.
The foreground is characterized by muddy terrain and sparse vegetation, rendered in dark, earthy tones. A small group of figures are present near the center of the image; they appear to be engaged in some form of labor or transport, possibly related to river trade or agriculture. The presence of a horse-drawn cart suggests an ongoing connection between the settlement and the water.
The artist’s use of chiaroscuro – the dramatic contrast between light and dark – is particularly striking. The moons radiance is the primary source of illumination, highlighting certain elements while leaving others shrouded in shadow. This technique not only creates a visual drama but also contributes to the painting’s overall mood of quiet contemplation.
Subtly, theres an implication of human activity existing within a larger, natural world. The figures are small and insignificant compared to the vastness of the landscape and the power of the moon. This juxtaposition suggests themes of humanitys place in the cosmos and the enduring presence of nature even amidst human endeavors. The muted color palette reinforces this sense of quietude and introspection, inviting viewers to pause and reflect on the scene’s understated beauty.