Rijksmuseum: part 3 – Meester met de Papegaai -- De zelfmoord van Lucretia, 1500-1525
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Her gaze is directed upwards, suggesting an internal struggle or perhaps a plea to unseen forces. The mouth is slightly open, conveying a sense of pain or suppressed cry. Her eyes are downcast, hinting at shame, despair, or resignation. A cascade of reddish-blonde hair frames her face, adding to the overall impression of dramatic pathos.
The woman’s attire consists of a flowing red robe draped over one shoulder and partially revealing her breast. A delicate white sleeve covers the other arm. The fabrics texture is rendered with considerable detail, demonstrating the artist’s skill in depicting luxurious materials. A necklace adorns her neck, culminating in an elaborate pendant – a symbol potentially indicative of status or a lost promise. Her left hand clutches a dagger, held close to her exposed forearm where a fresh wound is visible. The blade itself is sharply rendered, drawing attention to the imminent act of self-harm.
The presence of ornate rings on her fingers suggests wealth and privilege, which contrasts starkly with the despair evident in her demeanor. This juxtaposition may imply a critique of societal expectations or the burdens associated with high social standing. The overall effect is one of intense psychological drama, exploring themes of betrayal, shame, and ultimate desperation. The artist’s choice to depict such an intimate and emotionally charged moment speaks to a fascination with human suffering and the complexities of morality within a specific cultural context.