Bree, Mattheus Ignatius van – De plechtige installatie van de Universiteit van Gent door de prins van Oranje in de troonzaal van het stadhuis op 9 oktober 1817., 1817-1830 Rijksmuseum: part 3

The composition presents a grand ceremonial scene unfolding within what appears to be a substantial civic hall or palace chamber. The space is densely populated with figures arranged in tiers, suggesting a formal and hierarchical occasion. A central platform dominates the foreground, upon which several individuals are seated on elaborate chairs, presumably dignitaries or officials presiding over the event.
The arrangement of people suggests a carefully orchestrated display of authority and status. A man, distinguished by his blue coat and prominent posture, stands before the seated group, gesturing with an open hand as if delivering a speech or oath. He is positioned in direct view of the audience, drawing attention to his role within the proceedings. Behind him, a richly draped canopy hangs from the ceiling, partially obscuring a framed portrait that is visible through its folds. This placement elevates the portrait and suggests it holds significant symbolic importance, possibly depicting a historical figure or embodying an ideal associated with the event.
The hall itself is characterized by high ceilings, arched windows allowing diffused light to enter, and decorative banners hanging from the walls. The architecture conveys a sense of permanence and tradition, reinforcing the solemnity of the occasion. A large crest or emblem is visible on the floor near the platform, further emphasizing the official nature of the event.
The sheer number of individuals depicted – many rendered with meticulous detail – creates an impression of collective participation and shared significance. The expressions on their faces range from attentive concentration to polite formality, contributing to a sense of decorum and respect for the proceedings. The painting’s palette is dominated by muted tones – browns, creams, and deep reds – which contribute to a feeling of gravitas and historical weight.
Subtly embedded within this formal display are indications of social stratification. The figures closest to the platform are more elaborately dressed and appear to hold higher positions than those seated further back in the hall. This visual hierarchy reinforces the established power structures of the time, suggesting that the event is not merely a ceremonial occasion but also a demonstration of societal order. The inclusion of numerous onlookers peering down from balconies above suggests a broader public interest in witnessing this display of authority and legitimacy.