Vignon, Claude – Christus draagt Petrus op, ’Weid mijn schapen, 1624 Rijksmuseum: part 3

The composition centers on a poignant exchange between two male figures, framed by a third and partially obscured by another. A central figure, identifiable as Christ through the halo above his head, extends his hand towards a man with a long beard and weathered features. The gesture appears to be one of transference or delegation; Christ’s palm is open, offering something unseen to the recipient.
The receiving figure displays an expression of profound distress, his mouth agape in what could be interpreted as either grief or protest. His gaze is directed upwards, seemingly towards Christ, yet theres a sense of reluctant acceptance in his posture. He holds a large, open book before him; the Latin inscription visible on its pages reads Petre pasce me oves meas – “Peter, feed my sheep.” This textual element immediately establishes the narrative context as a moment of divine instruction and responsibility.
To the right stands another man with flowing hair and beard, clad in green robes. He appears to be observing the exchange with an expression that is difficult to decipher – perhaps concern or solemnity. A fourth figure, partially visible on the left edge of the canvas, remains shrouded in shadow, his face indistinct, contributing a sense of anonymity and perhaps representing the broader community witnessing this pivotal moment.
The artist’s use of light and shadow contributes significantly to the emotional weight of the scene. Christ is bathed in a warm, golden glow emanating from an unseen source, highlighting his divine nature and emphasizing the significance of his action. The recipient, conversely, is cast in deeper shadows, underscoring his burden and the gravity of the task he is being assigned.
The color palette is dominated by earthy tones – browns, ochres, and reds – which lend a sense of solemnity and realism to the scene. The limited range of colors focuses attention on the figures themselves and their interaction. The rough brushstrokes contribute to a feeling of immediacy and emotional intensity.
Subtly, the painting explores themes of leadership, sacrifice, and divine responsibility. It suggests a transition of power or authority, where one figure relinquishes a crucial duty to another, accompanied by an implied sense of personal cost. The open book serves as a constant reminder of the obligation that is being passed on – a call to service and pastoral care.